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How to coin hip, mature, and lush harmonies [correction] - music


Rarely is a chord played with its tones controlled in a definite octave, the root on the bottom, the third in the middle, and the fifth on the top.

Usually chords are "voiced!"

This fundamentally means that the positions of a chord's tones are scattered over the keyboard. The tones may be altered, doubled, added to, missing, and so forth.

There are a great category of promise accessible in articulation chords. Articulation chords appropriately is an art inside itself. Using the accurate articulation techniques in your live will give your creativeness a "hip," mature and full sound. Chords played in root arrange just does not seem to do the job when in performance Jazz, Rock, Pop, Blues, Gospel and "Smooth Jazz" piano.

Learning and mastering good voice chief techniques in your in concert is not arduous if you just abide by some austere rules.

1. The most chief notes in any chord is the 3rd and the 7th. The 3rd of the chord defines whether the chord is a major or minor chord. The 7th of the chord will circumscribe whether the chord is a dominant or major chord. Usually the bass player will play the root and fifth. The root and fifth are not basic tones and can be finally left our from your chord progressions. If you must use the root and fifth try using it in your right hand, not your left. You ought to add your "color" tones in your right hand.

2. When you are attractive a solo and not "comping" (accompanying) for a further vocalist you ought to play your chord voicings in your left hand, so that the right hand can be free to improvise, do fills, bend in half the left hand, add extensions, etc.

3. The range of your voicings is also very important. A good rule of thumb to commit to memory when articulation your chords, is to constantly try to voice your chords about central point C. Charge your voicings about central C will sound full and clear. Confines of approximately an octave above or below will comfort best consequences by preventing the expression from high and mighty a class of slenderness or muddiness.

Copyright 2005 RAW Productions

Ron Creditable is a Music Educator, Songwriter and Performer. His Web Site Offers Proven Tool, Tips and Strategies (that anybody can learn) to Play Rock, Pop, Blues, R&B and Easy Jazz Piano. http://www. mrronsmusic. com/playpiano. htm


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